You won’t get the same tonal depth and colour fidelity as with a true raw file, but if you’ve mastered the editing controls in ACR, it provides an easy way to make image adjustments. If you are looking to purchase the Camera Raw Presets CC, click here Whether you have created your own custom preset from scratch, or have combined a number of.
A regular file like a JPEG can also be edited with it, and the easiest way to do this is via the Filter menu in Photoshop (Filter > Camera Raw filter). It all adds up to unparalleled image control, so provided you start with a raw file, you can create the best possible version of your image, all thanks to the power of Adobe Camera Raw.Įven if you haven’t captured the photo as a raw file, you can still make use of the ACR interface and suite of controls. That means if you accidentally shoot with an indoor white balance setting when you’re in daylight, or slightly underexpose a shot and want to make it brighter, you can quickly address the issue in ACR and get your shot the way you intended it to be.Īnd with the Photoshop version of ACR, you can do this selectively on specific regions in the image via adjustment brushes, add effects like graduated filters, and even correct lens defects like vignetting, distortion and coloured fringing. With a raw file, all these – and many other values – are ‘floating’ and can be adjusted to give the look you want, rather than the fixed look the camera delivered. Note that Photoshop (unlike Lightroom unfortunately) lets you choose any color space to render your Smart Object. Change the color space to either Adobe RGB or ProPhoto RGB. The values for the exposure, white balance, colour saturation, contrast and sharpening are all embedded in the file, and give the picture a particular ‘look’ – essentially, what you reviewed on the camera’s screen after taking the shot. Photoshop settings: Go to Preferences / File Handling / Camera RAW Preferences / Workflow. With a JPEG or other ‘normal’ image format, lots of attributes that make up the image are fixed in place at the time the file is saved to the camera’s memory card. When you shoot raw files, you get the chance to change the white balance and other contrast and color settings in Adobe Camera Raw, even after you've taken the picture. I’ll also set the split toning as mentioned earlier.Īfter those changes the photo looks like this:Īnd that is how you can use Camera Raw even with. In the HSL settings I am going to boost the green saturation to 50 to make the grass a little greener. In the case of this photo I am going to set the contrast at 10 and clarity at 25. Make whatever changes you like, then click “ok” and you’ll leave Camera Raw and go back to Photoshop. To access the split toning settings click on the fifth icon from the left.
To see if RAW images taken with this camera are compatible with other software, inquire the respective software manufacturer. Commercially-available software may not be able to display RAW images. I like the split toning options in Camera Raw (as covered in this Lightroom tutorial) so I can now access those same options in Photoshop by using the Camera Raw filter. To display RAW images on a computer, using the provided software is recommended. Once you have converted your layer to a smart object you can go to Filter > Camera Raw Filter and it will open the photo in Camera Raw. Once it is a smart object you will be able to make changes in the Camera Raw filter and then go back and adjust those settings later if you’d like. More importantly, these settings are applied, no matter what the settings are in your document. Without them, you wouldn’t get a proper preview, RGB readings, or accurate histograms and clipping warnings inside ACR. Next, right click on the new layer in the layers palette and click on “convert to smart object”. The problem is that Camera RAW Smart Objects contain their own color space and bit depth. Go to Layer > Duplicate Layer to make a copy of your background layer. The first thing you should do is duplicate your background layer so you will be working non-destructively. If you’re used to working in Lightroom or if you like some of the Camera Raw options and sliders you may want to do this when you are editing a. jpg, but you can still use the same sliders and settings.
Shift-double clicking on a RAW image in the Bridge will bypass the Camera Raw dialog, applying either settings that have been saved with the file, or if there are no setting applied, opening the file with the camera defaults into Photoshop. jpg file will not give you all the advantages of working with a RAW file because your file is still a. Bypass the Camera Raw Dialog when Opening From Bridge. But what many Photoshop users do not realize is that you can also use Camera Raw with. If you open a RAW file in Photoshop it will automatically open in Camera Raw, which gives you basically the same editing options that you would get in Lightroom, with a few minor exceptions.